Bombay Bicycle Club, Merpire @ The Gov, Adelaide 17/11/2024
Bombay Bicycle Club photographed by Tom Oxley
Get ready to pedal through a night of indie magic. Bombay Bicycle Club was in town, and it was a ride!
Cruising into Australia for the first time in a decade, Bombay Bicycle Club’s Tarntanya/ Adelaide stop at The Gov was an animated display of musical evolution and fan devotion. They delivered a set that blended nostalgic hits with lush, experimental sounds, leaving the packed crowd buzzing long after the final notes faded.
Naarm/ Melbourne singer-songwriter Merpire (Rhiannon Atkinson-Howatt) opened the night with a dreamy, atmospheric set. Her haunting vocals and intricate layered melodies drew the audience in. Blending indie rock with moments of ethereal folk, songs including Heavy Feeling, Village and Habit shifted between delicate vulnerability and powerful intensity. The performance was intimate yet expansive. A beautiful introduction that left the audience eager for more.
The atmosphere was palpable when the lights dimmed and the first notes of Just a Little More Time filled the room. Bombay Bicycle Club had arrived, and it was clear this would be something special. Bringing high energy from the onset, they traversed a setlist ranging from the newer psychedelic-sounding I Want to Be Your Only Pet to old favourites like Feel. The show was a celebration of their entire career.
Lights Out, Words Gone and Luna were fun and joyous. While emotionally charged, Evening/ Morning, with Suren de Saram’s precise drumming, was a crowd favourite. Meditate from 2023’s My Big Day was the ideal continuance to keep the fervour flowing.
Jack Steadman, ever the engaging frontman, appeared at ease. His distinctive vocals soared over Good Day’s layered instrumentation and brought a more introspective vibe. Bombay Bicycle Club isn’t just about epic anthems. Their ability to create moments of stillness showcased their versatility, weaving through ambient soundscapes and shimmering melodies.
A show highlight was the seamless transition from Good Day to the delectable How Can You Swallow So Much Sleep. With its mesmerising quality, pulsing beats and hypnotic synths, it reached a deep resonance with the crowd.
Is It Real offered a burst of rhythmic intensity and infectious groove that shifted the mood at the right time. It demonstrated a carefully curated set list that intentionally weaved moments of infectious joy with thoughtful depth.
Things began to build to an emotional peak with Dust on the Ground and Diving. The former, with its driving rhythm, intricate guitar work, and killer break, and the latter, a song of lofty highs and heartfelt lows, had the crowd fully immersed.
Everything Else Has Gone Wrong and Eat, Sleep, Wake (Nothing But You) brought an anthemic quality. The electric atmosphere reached a fever pitch as the entire audience sang along to the hopeful refrains. Steadman’s vocal delivery hit the perfect balance of intimacy and exuberance.
The tempo dropped with Flaws. Its understated beauty created a moment of reflection before the build-up to the superb finale. So Long, See You Tomorrow, Carry Me, and Shuffle were combined moments of delicateness, frenzy, and bliss. They summed up Bombay Bicycle Club in a nutshell.
By the time the encore arrived, there was no question that this had been a show for the ages. When that iconic riff of Always Like This kicked in, pub choir status was invoked.
Bombay Bicycle Club’s performance was a testament to the band’s enduring ability to connect with their audience, no matter where they are in their musical journey. It was a night that felt like a reunion and a step forward as they masterfully blended their more folk-driven sound with thriving, electronic elements.
The crowd left The Gov on a high, knowing they had witnessed something special—a band that remains as relevant and exciting as ever.
Live Review By Anita Kertes
